Billy here. We just watched the swifts fly down into a neighbor’s chimney at dusk. They all moved like a sea creature and finally swirled quickly, folding their wings and fluttering in like crumbling paper. Every year before the fall equinox the swifts fly through, nesting in old chimneys. Every year I can hardly believe it’s fall again, but sure enough, the heat of August burns off and the mornings turn cool and dewy.
We finished painting our tiny homes before fall, one of our goals for the year. In the picture you can also see Spence’s artful salvage shingles. It’s been a really nice summer with lots of time for art, finishing up our little homes, settling into our new jobs, and some nice backpacking adventures. Now is the next adventure for me: going back to college! Thus we are officially on the off-season publishing schedule of the blog: every other week or so instead of every Sunday. My first day of school is Monday and my brain is on overdrive, keeping me from sleeping.
The best cure for an overactive brain is some quiet river time. So, knowing that school, work, and art deadlines will keep us occupied practically until next summer, we decided to head to a new river spot on the North Fork of the Wilson. We packed lots of snacks, homebrew, and journals. There are plenty of forest roads to explore near the Forest Center, and the 22.6 mile Wilson River Trail is lovely, though we only hiked a small portion of it.
While out on the river, I wrote down some details of the setting of a graphic novel I am planning on writing. I tried to let my mind unfurl and catch the wind. Ursula K. Le Guin wrote a poem in her novel Always Coming Home that says what the wild river says better than I can:
Listen, you people of the Adobes, you people of the Obsidian!
Listen, you gardeners and farmers , orcharders and vintners,
shepherds and drovers!
Your arts are admirable and generous, arts of plenty and
increase, and they are dangerous.
Among the tasselled corn the man says, this is my plowing
and sowing, this is my land.
Among the grazing sheep the woman says, these are my
breeding and caring, these are my sheep.
In the furrow the seed sprouts hunger,
In the fenced pasture the cow calves fear.
the granary is heaped full with poverty.
The foal of the bridled mare is anger.
The fruit of the olive is war.
Take care, you Adobe people, you Obsidian people, and come
over onto the wild side,
don’t stay all the time on the farming side; it is dangerous to live there.
Come among the unsown grasses bearing richly, the oaks
heavy with acorns, the sweet roots in
Come among the deer on the hill, the fish in the river, the quail in the meadows.
You can take them, you can eat them,
like you they are food.
They are with you, not for you.
Who are their owners?
This is the puma’s range,
this hill is the vixen’s,
this is the owl’s tree,
this is the mouse’s run,
this is the minnow’s pool:
it is all one place.
Come take your place.
No fences here, but sanctions.
No wars here, but dying; there is dying here.
Come hunt, it is yourself you hunt.
Come gather yourself from the grass, the branch, the earth.
Walk here, sleep well, on the ground that is not yours, but is
-Ursula K. Le Guin
Spence here. As the blue light fades from this day, the whish of Swifts subtly suspends in the breeze. Earlier, I was lamenting the sounds of industry, neighborhood power tools, jet planes and sirens near our northeast Portland conglomeration of shacks… I am still trying to tune those sounds out and tune in the crickets. It is a difficult balance, but one that probes me as much as it irritates me.
Recently, Billy and I visited a river I have not been to in awhile, the Wilson River, en route to Tillamook, Oregon, along the tracks of the Tillamook State Forest. We ventured down a dirt road I have only glanced down; to a little area known to OHVers called Diamond Mill. The day we went was an overcast weekday and this seemed to thwart most 4-wheelin’ atv-having moto-crossin’ folk. Peace was ours at the tributary, the North Fork of the Wilson River, for a short while. Of course the engines came later, but the people were very nice and it was time for dinner anyway. The day was spent journaling, brainstorming, unwinding and exploring. I brought my fishing gear, but the rivers are very low right now. While there is probably fish to be had somewhere, it seemed the wrong time for these rivers. Fishing, anyway, is kind of an excuse for me to go sit by a river, any river really, and take deep breaths, so I really didn’t mind the lack of an actual event.
I’ve found this week to be most inspiring. The cooler air, smell of cut grass and football fields make me feel home again. After finishing painting the cabana and music studio, (which is a big project I am glad to have done before winter rain) we started things off by taking long walks, playing Frisbee and going to the river. I went running, (physicality always conjures up more ideas for new artwork for me) and since then have been investigating the building of my latest sculpture/shadowbox. We then watched a series of black and white films by Jean Cocteau, one of Billy’s favorite directors. We attended a visual art reception for the show entitled “Dark Matter”. I found several paintings in the gallery to be very accessible, encouraging and within my capabilities. The difference between me, Billy and these artists in the show is only their contacts and nerve. Our talent and craft is on par with much we have seen lately, and this is not a knock on those participating artists, but a motivating foot forward for me personally, in the “I can do that!” department. Back to back, we attended another art opening, different in that the show focused on the street art of children from the refugee camps of Syria and Gaza, but none-the-less inspiring. Always, these events give me insight and gratitude for what I have and the choices I am empowered to make in my life.
I am excited to work on the pieces for my personal art show in February, but all these events are just great excuses to continue being creative. One of the things I have been struggling with this week is to bridge all the ideas I have for my show into a comprehensive concept. I should look no further than life itself as a whole. The simple bridge we sat under to read and watch the wildlife this week by the river, to the Swifts in the evening, to the shiny lights of the stars and the art galleries, to all the inhabitants surviving in the harsh climates of war and desert—being creative is a skill we cannot afford to demean, lose or squander.